His name is associated
above all with the cycles of lively and festive narrative paintings that he
executed for several of the Venetian scuole, or devotional
confraternities. He also seems to have enjoyed a considerable reputation as a
portrait painter. While evidently owing much in both these fields to his older
contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a
readily recognizable style of his own which is marked by a taste for decorative
splendour and picturesque anecdote. His altarpieces and smaller devotional works
are generally less successful, particularly after about 1510, when he seems to
have suffered a crisis of confidence in the face of the radical innovations of
younger artists such as Giorgione and Titian.
The Ambassadors Depart 1495-1500 Gallerie dell'Accademia, Venice
Arrival of the English Ambassadors 1495-1500 Gallerie dell'Accademia, Venice
The Ambassadors Return to the English Court 1495-1500 Gallerie dell'Accademia, Venice
Meeting of the Betrothed Couple and the Departure of the
Pilgrims 1495 Gallerie dell'Accademia, Venice
The Dream of St Ursula
1495
Gallerie dell'Accademia, Venice
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