Painter, mosaicist and possibly goldsmith. He was head of one of the
most active workshops in late 15th-century Florence. He developed a
style of religious narrative that blended the contemporary with the
historical in a way that updated the basic tenets of early
Renaissance art. Domenico’s documented material
situation—prosperous, land-owning—conflicts with Vasari’s
description of him as unconcerned with wealth and business, and he
emerges as an enterprising, versatile craftsman, the artisan and
bourgeois nature of his life making him perfectly suited to
satisfying the tastes and aspirations of his patrons. He was called
to Rome in 1481 to work in the Sistine Chapel, and throughout the
1480s he received prestigious fresco commissions, culminating in
1485 with that to decorate the Tornabuoni Chapel in S Maria Novella,
Florence. Many panel paintings, either autograph or workshop
productions, were also produced at this time. He received no further
fresco commissions after completing the work in S Maria Novella in
1490, but several projects for mosaic decoration date from this
period.
Coronation of the Virgin
1486
Pinacoteca Comunale, Citta di Castello
Coronation of the Virgin
1486
Palazzo Comunale, Narni
Madonna and Child Enthroned with Saints
c. 1479
Duomo San Martino, Lucca
Madonna and Child Enthroned with Saints
c. 1483
Galleria degli Uffizi, Florence
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