He was one of the leading painters in Renaissance
Florence in the generation following Masaccio. Influenced by
him in his youth, Filippo developed a linear, expressive
style, which anticipated the achievements of his pupil
Botticelli. Lippi was among the earliest painters indebted
to Donatello. His mature works are some of the first Italian
paintings to be inspired by the realistic technique (and
occasionally by the compositions) of Netherlandish pioneers
such as Rogier van der Weyden and Jan van Eyck. Beginning
work in the late 1430s, Lippi won several important
commissions for large-scale altarpieces, and in his later
years he produced two fresco cycles that (as Vasari noted)
had a decisive impact on 16th-century cycles. He produced
some of the earliest autonomous portrait paintings of the
Renaissance, and his smaller-scale Virgin and Child
compositions are among the most personal and expressive of
that era. Throughout most of his career he was patronized by
the powerful Medici family and allied clans. The operation
of his workshop remains a matter of conjecture.
Madonna and Child
Panel, 155 x 71 cm
Palazzo Medici-Riccardi, Florence
Man of Sorrows
Panel, 82 x 101 cm
Archbishop's Palace, Florence
Madonna and Child with St Fredianus and St Augustine
1437-38
Panel, 208 x 244 cm
Musée du Louvre, Paris
St Fredianus Diverts the River Serchio
c. 1438
Tempera on wood, 40 x 235 cm
Galleria degli Uffizi, Florence
Announcement of the Death of the Virgin
c. 1438
Tempera on wood, 40 x 235 cm
Galleria degli Uffizi, Florence
Vision of St Augustine
c. 1438
Tempera on wood, 40 x 235 cm
Galleria degli Uffizi, Florence
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