He is mentioned several times in the archives of Leuven between 1457 and
his death, although his name is sometimes confused with that of Hubrecht
Steurbout, another painter in Leuven. In 1468 Bouts was named official
painter to the city. A century later the chronicler in Leuven, Joannes
Molanus, remarked that he ‘excelled as an innovator in depicting the
countryside’. Bouts was also described, by van Mander ([1603]–1604), as
a founder of the Haarlem school of painting along with Albert van
Ouwater and Geertgen tot Sint Jans. However, it is his representation of
landscape that is still recognized as his principal contribution to
15th-century Netherlandish painting.
Ecce agnus Dei
1462-64
Alte Pinakothek, Munich
The Lamentation of Christ
c. 1460
Musee du Louvre, Paris
Portrait of a Man
1462
National Gallery, London
Portrait of a Man
1460-70
Metropolitan Museum of Art, New York
The Virgin and Child
Koninklijk Museum voor Schone Kunsten, Antwerp
Virgin and Child
Metropolitan Museum of Art, New York
Virgin and Child
1455-60
Museo Civic Correr, Venice
Virgin and Child
1465-70
Museo Thyssen-Bornemisza, Madrid
Mary and Child
c. 1465
National Gallery, London
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