Italian painter, florentine school. He is one of the pivotal figures
of Florentine painting. Not only does his career span
the two decades during which the basis of Renaissance
painting was forged, but for a time he collaborated with
its protagonist, MASACCIO, most notably in a cycle of
frescoes in the Brancacci Chapel in S Maria del Carmine,
Florence, a landmark in the history of European art.
Paradoxically, his collaboration with Masaccio has
obscured his own achievement. Vasari originated the idea
that Masolino was the teacher of Masaccio, and he also
attributed a number of Masolino’s works to an early
phase of Masaccio’s. Not until the 20th century was the
work of the two artists convincingly distinguished.
Masolino’s most extensive independent fresco cycle in
the Lombard town of Castiglione Olona (a work unknown to
Vasari) was recovered in 1843, and a century later the
fresco fragments and the sinopie of another,
documented cycle were discovered in the church of S
Stefano, Empoli. These have thrown further light on a
career that remains enigmatic and subject to a variety
of interpretations.
The Temptation
1426-27
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence
Medallion
1426-27
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence
Healing of the Cripple and Raising of Tabatha (left view)
1426-27
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence
Healing of the Cripple and Raising of Tabatha (right
view)
1426-27
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence
St Peter Preaching
1426-27
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence
Madonna of Humility 1430-35
Galleria Degli Uffizi
Madonna of Humility 1430-35
Galleria Degli Uffizi
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