South Netherlandish painter of German origin. Together with Dieric Bouts
I and Hugo van der Goes, he was one of the most important exponents of
the new artistic developments that flourished in the southern
Netherlands in the 15th century in the wake of Jan van Eyck, the Master
of Flémalle and Rogier van der Weyden. Their principal innovation was to
apply optic realism to devotional or mystical subjects. Although Memling
lived in the turbulent period of transition from the Burgundian ruling
house to that of the Habsburgs, little of this is evident in his work.
His commissions were almost exclusively from rich burghers in Bruges
(bankers, merchants and politicians) or churchmen and the occasional
aristocrat. Often they were foreigners, especially Italians, who had
political or financial connections with the town, whose central economic
position was to last only a few decades longer. They had Memling paint
their portraits, bust or full length, in devotional paintings or on
altarpieces for their chapel in Bruges or back home. He seems not to
have received official commissions (from the town council or court). An
exceptional proportion of this oeuvre has survived. Besides about 20
altarpieces, often in several panels and of considerable size, there are
about 15 individual paintings of the Virgin and Child, for which
the side panels with figures or donor portraits are missing, another 20
paintings depicting saints or various themes from the Gospels and more
than 30 portraits (some in the form of a diptych with a Virgin and
Child ).
Nativity
1470-72
Museum für Angewandte Kunst, Cologne
Adoration of the Magi
c. 1470
Museo del Prado, Madrid
Scenes from the Passion of Christ (left side)
1470-71
Galleria Sabauda, Turin
Scenes from the Passion of Christ (detail)
1470-71
Galleria Sabauda, Turin
Scenes from the Passion of Christ (detail)
1470-71
Galleria Sabauda, Turin
Scenes from the Passion of Christ (detail)
1470-71
Galleria Sabauda, Turin
Scenes from the Passion of Christ (detail)
1470-71
Galleria Sabauda, Turin
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