Gothic Art



 Gothic Art Map
 Gothic Art
 Introduction Benedetto Antelami Taddeo Gaddi Vitale da Bologna
 Architecture in France Giovanni di Balduccio Giotto di Bondone Guariento d'Arpo
 Architecture in Germany Jacobello Dalle Masegne Pietro Lorenzetti Giusto de' Menabuoi
 Architecture in Italy Corenzo Maitani Ambrogio Lorenzetti Barnaba da Modena
 Architecture in England Andrea da Firenze Giovanni da Milano Melchior Broederlam
 Stained Glass Filippo Rusiti Gentile da Fabriano Nicolas de Bataille
 Arnolfo di Cambio Ferrer Bassa Pucelle Jean Bayeux Tapestry
 Nicola Pisano Pietro Cavallini Altichiera da Zevio Matthew Paris
 Giovanni Pisano Cimabue Tomasso da Modena Master Boucicaut
 Tino di Camaino Duccio di Buonisegna Traini Francesco Illuminated Manuscripts
 Andrea Pisano Simone Martini Giovannino de' Grassi Master Hohenfurt
 Claus Sluter Maso di Banco Roberto Oderisi Henri Belechose
 Exploration: Revelations (Art of the Apocalypse)
 Exploration: Gothic Era  (Gothic and Early Renaissance)




Giusto de' Menabuoi




Giusto de' Menabuoi



Giusto de' Menabuoi

( fl 1349–c. 1390).

Italian painter. He was a native of Florence, but all records of his activity and all surviving works are in or from northern Italy. Together with the Veronese painter Altichiero, and following in the wake of the native Guariento, Giusto helped establish Padua as a major centre for the development of late 14th-century painting. His work illustrates the widening stylistic gulf in the years following the Black Death between the activities of Florentine painters working in Florence and those of artists either born there or exposed to the influence of Florentine art before the mid-century, but working further north, where, after c. 1350, the most significant developments of the Giottesque legacy took place. Beyond a shared Florentine tendency to monumental form, his art increasingly diverged from the style of Orcagna and his school, and Giusto’s expansion of the pictorial possibilities suggested by Giotto, Maso di Banco and Taddeo Gaddi in the early decades of the century is bolder than anything attempted by the painters of late 14th-century Florence. His career may be divided into two phases: work in Lombardy, 1350s and 1360s; and from c. 1370 in Padua, where he enjoyed the patronage of the Carrara court.


The altarpiece


Madonna and Child


Scenes from the left of the polyptych




Scenes from the right of the polyptych



The martyrdom of Saint James
Fresco from the chapel of S. Luca Belludi



The Coronation of the Virgin, and Other Scenes


Giusto de' Menabuoi



Discuss Art

Please note: site admin does not answer any questions. This is our readers discussion only.

| privacy