prolific English writer of religious and
pastoral poems, satires, dialogues, and essays.
Breton’s life was spent mainly in London. He
dedicated his works to many patrons, including
James I; his chief early patron was Mary
Herbert, Countess of Pembroke. In 1598 Breton
was accounted one of the best lyrical poets, but
he outlived his reputation. His satires are
rather mild and general; more successful are the
descriptions of simple country pleasures,
whether in the pastoral poetry of The Passionate
Shepheard (1604) or in the prose descriptions of
the months and the hours in his Fantasticks
(1604?), which in some respects anticipates the
fashion for character books. Modeled on the
Characters of the Greek philosopher
Theophrastus, which became available in Latin
translation in 1592, these books contained brief
sketches, describing a dominant virtue or vice
in such characters as the thieving servant, the
cringing courtier, the generous patron, or the
pious fraud. Breton himself wrote two character
books, The Good and the Badde (1616) and
Characters Upon Essaies (1615), the latter
containing essays as well.
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