Dictionary of

Art  &  Artist



Hakon Ahlberg



Ahlberg Hakon

(b Harplinge, Halland, 10 June 1891; d Stockholm, 12 March 1984).

Swedish architect and writer. He graduated from the Kungliga Tekniska Högskolan (1914) and from the Kungliga Akademien för de fria Konsterna in Stockholm (1918), before working in the office of Ivar Tengbom. From 1921 to 1924 Ahlberg was a writer for and editor of Byggmästaren, the Swedish journal of building and architecture. His architectural production encompassed the traditionalism and neo-classicism of the early 20th century, as well as the International Style, characterized by rational, pragmatic design. His Arts and Crafts Stand at the Göteborg Jubilee Exposition (1923), with its mannered, slender pavilions, was an early contribution to the neo-classical revival of the 1920s. The Freemasons’ Orphanage (1928–31) at Blackeberg outside Stockholm showed his development of this classicism into austere geometrical simplicity, while the buildings of the Trade Union High School (1928–50) at Brünnsvik, Dalecarlia, are based on the national timber-building tradition, with red panelling, white-framed windows and tiled, hipped roofs. The same combination of rational simplicity and romantic traditionalism occurs in Ahlberg’s ecclesiastical buildings, such as Mälarhöjden Chapel (1928), Stockholm, and Malmberget Church (1945), Lapponia. Ahlberg was the founder and president of the Svenska Arkitekters Riksförbund (1936–45). As architect to the National Board of Health and Welfare (from 1935) he planned a number of hospitals throughout Sweden and abroad. Sidsjön Mental Hospital (1939–44) near Sundsvall is a complex of pavilions in yellow brick. The concrete and glass University Hospital (1946–54) in Maricaibo, Venezuela, is typical of modern, large-scale hospital planning. In hospital planning and housing in particular Ahlberg adopted functionalist ideals, and his contributions to the Stockholm Exhibition of 1930 were on these lines. Hjorthagen housing estate (1934–40) in Stockholm is an extreme example: a series of very slim, parallel three-storey concrete ‘slabs’ and plain plaster façades. In later projects, with his young associates Sven Backström and Leif Reinius, he followed a softer line with richer and more traditional use of materials. In public and civic buildings, for example the Court of Appeal in Göteborg (1945) and the Civic Centre (1955) and Dalarnas Museum (1960) in Falun, he preferred traditional brickwork, while his industrial and office buildings such as those for the LKAB Mining Co. at Malmberget and Kiruna in the 1950s and 1960s are examples of the International Style in concrete, glass and sheet metal.



Brunnsviks folkhogskola



Discuss Art

Please note: site admin does not answer any questions. This is our readers discussion only.

| privacy