(b Chamagne, Lorraine, ?1604–5; d Rome, 23
Nov 1682).
French painter, draughtsman and etcher, active in
Italy. He has long been known as the greatest of all ideal
landscape painters. Ideal landscape is a term signifying the
creation of an image of nature more beautiful and better
ordered than nature itself. The term is closely linked to
the pastoral, and contented shepherds guarding their flocks
and herds are usually an integral feature of Claude’s
pictures. He was far from being the inventor of this art
form, which first emerged in Venetian painting around 1510,
but he brought it to a pitch of refinement not reached by
anyone else. Claude’s distinctive contribution to the genre
was to use light as the principal means both of unifying the
composition and of lending beauty to the landscape. He was
also able to introduce into the artificial formula, to an
unusual degree, effects studied from nature itself. Almost
from the first, his work reflected courtly values of ‘high
finish’ and decorum, and it is no accident that his most
important patrons were members of the European nobility and
higher clergy.
Landscape with Shepherds
1645-46
Oil on canvas, 68,8 x 91 cm
Museum of Fine Arts, Budapest
Landscape with Rest in Flight to Egypt
1647
Oil on canvas, 102 x 134 cm
Gemäldegalerie, Dresden
Landscape with Paris and Oenone
1648
Oil on canvas, 119 x 150 cm
Musee du Louvre, Paris
The Rape of Europa
1655
Oil on canvas, 100 x 137 cm
Pushkin Museum, Moscow
Landscape with Acis and Galathe
1657
Oil on canvas, 100 x 135 cm
Gemäldegalerie, Dresden
Landscape with Apollo and Mercury
1660
Oil on canvas, 74,5 x 110,5 cm
Wallace Collection, London
Landscape with the Rest on the Flight into Egypt
1666
Oil on canvas, 113 x 157cm
The Hermitage, St. Petersburg
Discuss Art
Please note: site admin does not answer any questions. This is our readers discussion only.