(b Siegen, Westphalia, 28 June 1577; d Antwerp, 30 May
1640). Flemish painter, draughtsman and diplomat. He was the most versatile and
influential Baroque artist of northern Europe in the 17th century. An educated
and urbane member of the Antwerp patriciate, he was employed by the rulers of
the southern Netherlands as their ambassador and became painter to the courts of
Europe, producing magnificent cycles of allegorical painting glorifying his
princely patrons. Rubens’s art blends features of the Italian High Renaissance,
with which he became acquainted during a prolonged visit to Italy, with northern
realism and a love of landscape, derived from Pieter Bruegel the elder. He had a
deep knowledge and understanding of Classical art and literature and was
unrivalled in his power to turn its most complex themes into vivid images of
flesh and blood; his work was a perfect example of the humanistic ideal of ‘UT
PICTURA POESIS’. Apart from his paintings—which included altarpieces, history
and mythological scenes, portraits and landscapes—he designed tapestries, book
illustrations and pageant decorations, as well as his own house and small items
of sculpture and metalwork. His affinity with 16th-century Italian traditions is
also demonstrated in his wide correspondence, by his art collection and by the
organization of his studio. It was this last that alone enabled him to meet the
immense demand for his work; often a composition would be executed by assistants
from a drawing or sketch by Rubens, who then added the finishing touches to the
work. His numerous pupils and assistants included Anthony van Dyck, and frequent
collaboration with other established artists was necessary for him to complete
his huge workload. Rubens’s style was overwhelming and few contemporary artists
withstood its influence; later generations of often very diverse artists derived
much from his art and, indeed, a whole style of painting came to bear his name.
Portrait of a Young Scholar
1597
Oil on panel
Metropolitan Museum of Art, New York
Virgin and Child
c. 1604
Oil on panel
Musee des Beaux-Arts, Tours
The Deposition
1602
Oil on canvas, 180 x 137 cm
Galleria Borghese, Rome
The Gonzaga Family Worshipping the Holy Trinity
1604-05
Oil on canvas
Palazzo Ducale, Mantua
Susanna and the Elders
1607-08
Oil on canvas, 94 x 66 cm
Galleria Borghese, Rome
Samson and Delilah
c. 1609
Oil on wood, 185 x 205 cm
National Gallery, London
Susanna and the Elders
1609-10
Oil on wood, 198 x 218 cm
Museo de la Real Academia de San Fernando, Madrid
Landscape with the Ruins of Mount Palatine in Rome
c. 1608
Oil on panel, 76 x 107 cm
Musee du Louvre, Paris
St Gregory the Great with Saints
1606
Oil on canvas, 146 x 119 cm
Staatliche Museen, Berlin
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