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Greek and Roman Myths in Art
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Diana and Acteon
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see also:
The Odyssey of Homer
illustrations by
John Flaxman
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Greek and Roman
Myths in Art
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see also EXPLORATION (in
Russian):
Homer
"Iliad "and "Odyssey"
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Apuleius "The Golden Asse"
illustrations by Jean de Bosschere and Martin
Van Maele
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Longus
"The Pastorals, or the Loves of Daphnis and
Chloe"
illustrations by Marc Chagall
***
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Greek and Roman Myths in Art
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Diana
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Diana
(Encyclopaedia Britannica)
in Roman religion, goddess of wild animals and the hunt,
identified with the Greek goddess Artemis. Her name is akin to
the Latin words dium (“sky”) and dius (“daylight”). Like her
Greek counterpart, she was also a goddess of domestic animals.
As a fertility deity she was invoked by women to aid conception
and delivery. Though perhaps originally an indigenous woodland
goddess, Diana early became identified with Artemis. There was
probably no original connection between Diana and the moon, but
she later absorbed Artemis’ identification with both Selene
(Luna) and Hecate, a chthonic (infernal) deity; hence the
characterization triformis sometimes used in Latin literature.
The most famous place of
worship for the Italian goddess was the grove of Diana
Nemorensis (“Diana of the Wood”) on the shores of Lake Nemi at
Aricia, near Rome. This was a shrine common to the cities of the
Latin League. Associated with Diana at Aricia were Egeria, the
spirit of a nearby stream who shared with Diana the guardianship
of childbirth, and the hero Virbius (the Italian counterpart of
Hippolytus), who was said to have been the first priest of
Diana’s cult at Aricia. A unique and peculiar custom dictated
that this priest be a runaway slave and that he slay his
predecessor in combat.
At Rome the most important
temple of Diana was on the Aventine. This temple housed the
foundation charter of the Latin League and was said to date back
to King Servius Tullius (6th century bc). In her cult there
Diana was also considered the protector of the lower classes,
especially slaves; the Ides (13th) of August, her festival at
Rome and Aricia, was a holiday for slaves. Another important
centre for the worship of Diana was at Ephesus, where the Temple
of Artemis (or Diana) was one of the Seven Wonders of the World.
In Roman art Diana usually appears as a huntress with bow and
quiver, accompanied by a hound or deer.
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Francois
Boucher
1703-1770
France
Diana Bathing.
1742
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Francois
Boucher
1703-1770
France
Diana's Return from the Hunt.
1745
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Giambattista
Pittoni
1678-1767
Italy
Dianna and the Nymphs.
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Peter Paul Rubens
1577-1640
Belgium
Diana and her Nymphs Surprised by the Fauns.
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Annibale
Carracci
1560-1609
Italy
Homage to Diana.
1597-1602
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Peter
Paul
Rubens
1577-1640
Belgium
Diana Returning from Hunt.
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Peter
Paul
Rubens
1577-1640
Belgium
Diana and Callisto.
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Domenichino
1581-1641
Italy
Diana the Huntress.
1614
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Claude
Lorrain
1600-1682
France
Landscape with Cephalus and Procris Reunited by Diana.
1645
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Arnold
Bocklin
1827-1901
Switzerland
Diana's hunt.
1896
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Adriaen
de
Backer
1630-1684
France
Diana and Acteon.
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Hendrick
von
Balen
1575-1632
Netherlands
Diana and Akteon.
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Giuseppe
Cesari
1568-1640
Italy
Diana and Akteon.
1603
Museum of Fine Arts, Budapest
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Frans
Floris
1516-1570
Netherlands
Diane and Akteon.
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Bartholomeus
Spranger
1546-1611
France
Diana and Acteon.
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Titian
1488-1576
Italy
Diana and Acteon.
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Titian
1488-1576
Italy
Diana and Callisto.
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Francois
Clouet
1522-1572
France
The Bath of Diana.
1545
Museum of Art, São Paolo
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Dosso
Dossi
1490-1542
Italy
Diana and Calisto.
1528
Galleria Borghese, Rome
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Nicolas
Poussin
1594-1665
France
Landscape with Diana and Orion.
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Boris
Vallejo
1964-
USA
Diana and Acteon.
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